The Innocence of Father Brown GK Chesterton 9781542528740 Books
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Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." * Not long after he published _Orthodoxy, _ G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it and together those came together to become Chesterton's unassuming Father Brown.
The Innocence of Father Brown GK Chesterton 9781542528740 Books
AudioBook Review:Stars: Overall 4 Narration 5 Story 4
One of the early, non-professional investigators of crime, Father Brown, as imagined by G.K. Chesterton carry much of a similar tone as the more famous Holmes mysteries of Arthur Conan Doyle. In fact, the two were acquainted, and you can see some similarities in pacing and intelligence.
Chesterton is viewed by some as a Christian apologist: and to be honest the early stories here do often dance on the edges with this collection, an almost concerted effort to prove Catholicism is not remotely tied to superstition, myth or fantastical beliefs. If you can move past the preachiness of the good Father and appreciate his almost naïve belief in people and his use of intuition and a lifetime spent hearing confessions, you can enjoy the unique twists demonstrated during his investigations.
Seven of these stories are pure murder mystery that highlight some rather complex circumstances, often mired in the prejudices and restrictions that came with the British class system. The Secret Garden is a wonderful example of the twists and turns, and the Father’s rather unique path to the solution. A further two stories don’t have any real culprit, another few are thefts or attempted thefts. With a thorough grounding in place and time, which can mean some racially insensitive comments, the dismissive comments from the upper classes in regards to those who work for them. A wonderful collection when taken as is, just for enjoyment and a quiet escape from the everyday.
Narration for this collection is provided by Gordon Griffin, my first introduction to his work, and the narration and performance was wonderful. Clear, precise enunciation that highlights the text and story flow help the stories move smoothly forward. His skill with presentation, awareness of audience and ease of delivery made this a wonderful listen, sure to please listeners who want to delve into mysteries from the early development of the genre.
I received an AudioBook copy of the title from the publisher via AudioBook Jukebox for purpose of honest review. I was not compensated for this review: all conclusions are my own responsibility.
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The Innocence of Father Brown GK Chesterton 9781542528740 Books Reviews
There was no character development and the author focused on mundane things. I would like to know when this was written, the author assumes that the reader is familiar with English society of a certain age.
This is a book of short stories featuring Chesterton's crime-solving Catholic priest, Father Brown. The stories are more miniature morality plays than mysteries in the modern sense of the word. Chesterton wasn't trying to entice the reader to solve the cases or -- in most of the stories -- even trying to be plausible. For example, several of the stories feature a "world famous arch-criminal" named Flambeau who becomes an honest private detective after Father Brown converts him to Catholicism.
I think Chesterton meant these stories to serve as social commentary and unobtrusive evangelism. My favorite of the collection is "The Queer Feet." In this story Father Brown solves a theft at which takes place at a hotel "which paid not by attracting people but actually by turning people away." It concerns a club for wealthy men whose very purpose is purposelessness. The club holds dinners filled with intentionally meaningless rituals at a hotel that is popular with the rich and powerful precisely because it is inconvenient "The society had a vast number of ceremonies and observances, but had no history and no object; that was where it was so very aristocratic."
The story itself isn't even remotely plausible but Chesterton has a field day describing the club, its rituals, and the hotel. The story is genuinely funny and could have been written yesterday, though today's club president would be Kanye West rather than the Duke of Chester.
You'll enjoy "The Innocence of Father Brown" if you're willing to see it in this light -- just roll with the stories and revel in the atmosphere of a past that now seems impossibly distant, though it was only a century ago. Enjoy Chesterton's love of the English language and his skillful thumbnail descriptions of the characters in each story.
Reading the book in one sitting makes it impossible not to notice a certain repetitiveness. The religious and moral overtones of the stories seemed needlessly obvious and jarring to me. I also found the quality of the stories to vary greatly, with some being very engaging and others simply tedious.
Recommended if you want a quick trip to the old days of tweed, titled gentry, leather, and smoke...
AudioBook Review
Stars Overall 4 Narration 5 Story 4
One of the early, non-professional investigators of crime, Father Brown, as imagined by G.K. Chesterton carry much of a similar tone as the more famous Holmes mysteries of Arthur Conan Doyle. In fact, the two were acquainted, and you can see some similarities in pacing and intelligence.
Chesterton is viewed by some as a Christian apologist and to be honest the early stories here do often dance on the edges with this collection, an almost concerted effort to prove Catholicism is not remotely tied to superstition, myth or fantastical beliefs. If you can move past the preachiness of the good Father and appreciate his almost naïve belief in people and his use of intuition and a lifetime spent hearing confessions, you can enjoy the unique twists demonstrated during his investigations.
Seven of these stories are pure murder mystery that highlight some rather complex circumstances, often mired in the prejudices and restrictions that came with the British class system. The Secret Garden is a wonderful example of the twists and turns, and the Father’s rather unique path to the solution. A further two stories don’t have any real culprit, another few are thefts or attempted thefts. With a thorough grounding in place and time, which can mean some racially insensitive comments, the dismissive comments from the upper classes in regards to those who work for them. A wonderful collection when taken as is, just for enjoyment and a quiet escape from the everyday.
Narration for this collection is provided by Gordon Griffin, my first introduction to his work, and the narration and performance was wonderful. Clear, precise enunciation that highlights the text and story flow help the stories move smoothly forward. His skill with presentation, awareness of audience and ease of delivery made this a wonderful listen, sure to please listeners who want to delve into mysteries from the early development of the genre.
I received an AudioBook copy of the title from the publisher via AudioBook Jukebox for purpose of honest review. I was not compensated for this review all conclusions are my own responsibility.
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